Full pipeline
One operator from first brief to final grade. The whole thing, one vision, one invoice.
- Concept + treatment
- Shoot (direction + DP)
- Full post + grade
- All delivery formats
I can take a project from the first idea through to the final cut, or step in wherever an extra pair of hands is needed. That might mean writing, producing, shooting, editing, pulling together the right crew and schedule or directing it, if that’s what the job needs.
Some projects need full oversight from start to finish. Others just need a reliable hand to step in and help carry them across the line. Either way, the job stays the same: deliver on the brief, uphold the brand vision, and produce strong work that gets results.
The thinking before the camera rolls. We nail the idea down, ensuring it is both on brief and on brand, then plan cohesively for the shoot day. The early planning helps decrease any guess work on the day, setting the production up for success.
Directing and shooting with small, fast crews that punch above their weight, moving quickly without compromising the vision.
The edit is where the idea becomes the film. Cut, scored, graded, and delivered in every ratio your channels require.
Rates depend on scope, crew and delivery. Tell me the project and I’ll quote it properly, no packaged guesswork.
One operator from first brief to final grade. The whole thing, one vision, one invoice.
You’ve got the plan, I’ll direct and shoot it. Solo or with a crew I bring in to best suit the job.
Footage already shot? Send it over and get back a finished, graded, channel-ready cut.
Need kit without a crew? Gear is available to rent →
I spent ten years as an agency creative before picking up a camera. Writing the thing and then shooting it tends to keep the idea on track, so the thinking and the making stay joined up instead of being handed between people.
Yes. Agencies and marketing teams usually bring me in mid flight. I can run a job end to end or slot in under your creative lead, whatever makes things easier.
Quickly. There are no layers here, so decisions get made fast, and when a cut is urgent it can usually land the next morning. Rush turnarounds are available.
Yes. Campaigns get planned as systems, so one shoot can become hero films, cutdowns, verticals and stills without needing a second production.
Day rates are published. Creative direction is $1,200, DOP and videographer with full kit is $2,500, and post production is $800, all per 8 hour day in AUD. Multi day and full pipeline projects are quoted as a package.
Yes. Send the footage over and you get back a finished cut: edited, sound designed, colour graded and delivered in every ratio your channels need. That runs at the post production day rate.
Sydney, and available Australia-wide for shoot days. Post production work can run remotely from anywhere.